01 Darkness (11/11) 02 Refugees 03 White Hammer 04 Whatever Would Robert Have Said 05 Out Of My Book 06 After The Flood
|
Hugh
Banton: organ, piano, backing vocals |
All Lyrics by Peter Hammill
(Hammill)
Day dawns dark, it now numbers infinity.
Life crawls from the past,
watching in wonder
I trace its patterns in me.
Tomorrow's tomorrow is
birth again.
Boats burn the bridge in the fens;
the time of the past
returns to my life
and uses it.
Don't blame me for the letters that
may form in the sand;
don't look in my eyes, you may see all the
numbers
that stretch in my sky and colour my hand.
Don't say that I'm
wrong in imagining
that the voice of my life cannot sing.
Fate enters and
talks in old words:
They amuse it.
The hands shine darkly and white:
only in dark they appear.
Bless the baby born today,
flying in pitch,
flying on fear.
They shine in my eyes and touch my face
where I have
seen them placed before;
don't blame me, please, for the fate that
falls:
I did not choose it.
I did not, no no, I did not
I truly did not
choose it.
Refugees
(Hammill)
North was somewhere years ago and cold:
Ice locked the people's hearts and
made them old.
South was birth to pleasant lands, but dry:
I walked the
waters' depths and played my mind.
East was dawn, coming alive in the golden
sun:
the winds came, gently, several heads became one
in the summertime,
though august people sneered;
we were at peace, and we cheered.
We
walked alone, sometimes hand in hand,
between the thin lines marking sea and
sand;
smiling very peacefully,
we began to notice that we could be
free,
and we moved together to the West.
West is where all days will
someday end;
where the colours turn from grey to gold,
and you can be with
the friends.
And light flakes the golden clouds above all;
West is Mike
and Susie,
West is where I love.
There we shall spend our final days
of our lives;
tell the same old stories: yeah well, at least we
tried.
Into the West, smiles on our faces, we'll go;
oh, yes, and our
apologies to those
who'll never really know the way.
We're refugees,
walking away from the life
that we've known and loved;
nothing to do or
say, nowhere to stay; now we are alone.
We're refugees, carrying all we
own
in brown bags, tied up with string;
nothing to think, it doesn't mean
a thing,
but we'll be happy on our own.
West is Mike and Susie;
West is
where I love,
West is refugees' home.
White Hammer
(Hammill)
In the year 1486 the Malleus first appeared,
designed to kill all
witchcraft and end the papal fears:
prescribing tortures to kill the Black
Arts;
and the Hammer struck hard.
Malleus Maleficarum slaughtered and
tortured
all those under suspicion, as the Inquisistion ordered -
burning
black hearts and innocents alike, killing the mad;
such was the power the
Hammer had.
Though Hexenhammer was intended to slay only evil,
fear
and anger against magic overspilled:
they also killed those of the
White.
So for two centuries and more they tried to slay
both the Black
and the White Arts -
but spirits override pain.
For every one that the
torture took, two were hid secure,
and so the craft, yes, it
endured.
Love and hate lived on in the face of fear,
Hexenhammer's
force died,
and the real power became clear:
White Hammer no more is
beaten; now it begins to beat,
and the Grey, once oppressor,
now, at good
hands, faces defeat.
And the Black, too, shall bow down to the power
above;
Black hate beats Grey
but surpreme is
the White Hammer of
Love.
Whatever Would Robert Have
Said ?
(Hammill)
I am the suck of air you take
that you've had many times before;
I am
the blow you try to fake,
but which still throws you out the door;
I am
the air that fills your lungs,
but leaves you emptier below;
I am the void
that you can't explain,
but which is where you want to go.
Flame sucks
between the balls of steel;
nothing moves, the air itself congeals.
Look
at the flame if you want to,
hear the sharp crack of the fission,
smell
the brief vapour of ozone,
feel static motion.
I am the love you try
to hide,
but which all can understand;
I am the hate you still
deny,
though the blood is on your hands;
I am the peace you're searching
for,
but you know you'll never find;
I am the pain you can't
endure,
but which tingles in your mind.
Flame sucks between the balls
of steel;
nothing moves, the air itself congeals.
Look at the flame if you
want to,
hear the sharp crack of the fission,
smell the brief vapour of
ozone,
feel static motion.
I am the joy you really pay for,
but
which comes completely free;
I am your god on the final day,
for the truth
is you and me...
Out
Of My Book
(Hammill - Jackson)
We sat by ourselves, still looking for company;
there could have been
peace, but that eluded me -
all I could think of was what was on my
mind.
You tried to be kind,
but I blocked your feelings.
Now, senses
still reeling, you sit in your quiet room and cry.
You tried to make me
one,
but I always hide when there's a glimpse of sun.
Running along in
sunlight meadows,
your eyes were never more than half-closed:
through
fluttering lashes, you watched me watching you.
I tried to be true
to the
way that you thought I ought to be
but, in spite of all my efforts,
I
failed.
I tried to make you see
but your eyes are blind to all but the bad
in me.
What do you think I mean
when I say that I need you?
How am
I supposed to seem
when we hit another problem
and the answers are all
torn from my book?
Our lives are on paths we just can't control;
we
can grow closer as we get old.
Can you imagine us as we adjust?
Can you
imagine us
getting near eighty;
we live more sedately, still hoping the
dreams will come true?
We'll try to be secure.
But I'm of uncertain
mind
and how can I be sure?
How can I be sure?
After
The Flood
(Hammill)
Continuing the story, humanity stumbles -
gone is the glory, there's a far
distant rumble.
The clouds have gathered and exploded now:
axes shattered,
there is no North or South.
Far off, the ice is foundering slowly,
the ice
is turning to water,
the ice is turning to water.
The water rushes
over all
cities crash in the mighty wave;
the final man is very
small,
plunging in for his final bathe.
This is the ending of the
beginning,
this is the beginning of the end,
middle of the middle,
mid-point, end and start:
the first peak rises, forces the waves
apart.
Far off, the ice is now re-forming:
poles are fixed once
more,
water's receding, like death-blood.
And when the water falls
again,
all is dead and nobody lives.
And then he said:
'Every step
appears to be
the unavoidable consequence of the preceding one,
and in the
end there beckons more and more clearly
total annihilation'
This is
the ending of the beginning,
this is the beginning of the end,
And when
the water falls again,
all is dead and nobody lives.